TRACKLIST
1. How High The Moon
2. Love Walked In
3. Polka Dots And Moonbeams
4. Crazeology
5. Port Of Rico
6. Moose The Mooche
7. Easy Living
8. Just You, Just Me
9. Fly Me To The Moon
10. (When It's) Sleepy Time Down South
11. These Foolish Things
12. God Bless The Child
13. Ray Brown In Conversation With Guest Artists: Joe Lovano
14. Ray Brown In Conversation With Guest Artists: Benny Carter
15. Ray Brown In Conversation With Guest Artists: Stanley Turrentine
16. Ray Brown In Conversation With Guest Artists: Jesse Davis
17. Ray Brown In Conversation With Guest Artists: Joshua Redman
18. Ray Brown In Conversation With Guest Artists: Ralph Moore

Ray Brown Trio: Ray Brown (bass); Benny Green (piano); Gregory Hutchinson (drums).

Additional personnel: Benny Carter, Jesse Davis (alto saxophone); Joe Lovano, Ralph Moore, Joshua Redman, Stanley Turrentine (tenor saxophone).

As a follow-up to bassist Ray Brown's previous record in which he collaborated with several of his favorite pianists, Some of My Best Friends Are...The Sax Players features six major saxophonists (tenors Joe Lovano, Ralph Moore, Joshua Redman and Stanley Turrentine plus altoists Benny Carter and Jesse Davis) on two songs apiece with his regular trio. Although more than 60 years separate the ageless Carter from Redman, each of the saxes originally developed their own voice in the straight-ahead jazz tradition. Highlights of the colorful set include Benny Carter's playful rendition of "Love Walked In," Moore's cooking solo on "Crazeology" (a Benny Harris bop classic which the record mistakenly lists as written by Bud Freeman), Davis ripping through "Moose the Mooche" and Turrentine's romp on the blues "Port of Rico." Pianist Benny Green and drummer Gregory Hutchinson provide suitable accompaniment (Green's solos are consistently excellent) and all dozen of the songs are successful and swinging. As an extra bonus, on the latter part of the CD each of the saxophonists has a brief chat (between 26 seconds and a minute apiece) with Brown about their early influences. There is so much good feeling and obvious mutual respect shown that one wishes these talks were at least twice as long; the Benny Carter segment is most memorable. This well-conceived project is easily recommended. ~ Scott Yanow