Artist: Mocean Worker
Title Of Album: Cinco de Mowo
Year Of Release: 2007
Label: Mowo!Inc.
Genre: Nu Jazz, Breaks, Future Jazz, Funk
Quality: MP3
Bitrate: 320kbps
Total Time: 00:46:10
Total Size: 105 Mb min

TRACKLIST:

01. Mocean Worker -- Shake Ya Boogie (2:33)
02. Mocean Worker -- Tickle it (2:44)
03. Mocean Worker -- Ol Baby (3:30)
04. Mocean Worker -- Que Bom (3:19)
05. Mocean Worker -- Reykjavik (featuring Rahsaan Roland Kirk) (2:23)
06. Mocean Worker -- Changes (featuring Herb Alpert) (3:59)
07. Mocean Worker -- I Got You (featuring Morley) (3:40)
08. Mocean Worker -- Siss Boom Bah (featuring Rahsaan Roland Kirk) (4:22)
09. Mocean Worker -- Brown Liquor (featuring Marcus Miller) (3:52)
10. Mocean Worker -- Les and Eddie (4:25)
11. Mocean Worker -- Son of Sanford (4:11)
12. Mocean Worker -- Pretty (3:10)
13. Mocean Worker -- SONGNUMBER3 (3:49)

Leave it to a drum and bass practitioner to present Herb Alpert in a context that makes him sound more like a jazz musician than almost anything in his catalog. Yet there he is on “Changes,” blowing some blue lines over a chopped-up bossa nova in between multiple saxophone melodies. Then again, this should come as no surprise to anyone familiar with Mocean Worker, the nomme de plume of Adam Dorn. The son of eccentric jazz producer Joel Dorn, he has absorbed Pop’s musical history and recontextualizes it for the DJ crowd. In the past he’s been just as likely to work with U2’s Bono as saxophonist David “Fathead” Newman.

The fifth release under the Mocean Worker banner finds Dorn creating tight grooves that sample riffs from unidentified big bands, Rahsaan Roland Kirk and Marcus Miller. In a way, he makes modern music based on simple lines in the same way swing bands once did. But almost every track makes its melodic point in the first 30 seconds, with one or two samples repeating alternately for four minutes, on average. A few tracks break the mold, like “Changes” or the ones with live vocals. But this is better suited to the club crowd which, despite what anyone thinks, won’t pick up Rip, Rig and Panic after hearing a four-second loop of Kirk’s flute.
JazzTimes