Of the many mid-'50s Prestige jam sessions, Outskirts of Town is probably one of the more successful. If nothing else, it features a handful of players who did not record together on a regular basis. The all-star lineup featured, among others, Art Farmer, Idrees Sulieman, Jerome Richardson, Pepper Adams, Ray Bryant, Tiny Grimes, and Osie Johnson.

Marc Moulin (1 September 1942 - 26 September 2008) was a Belgian musician and journalist (print, radio, TV). He was a member of the avant-rock band Aksak Maboul in 1977 and formed the pop group Telex in 1978. Moulin was one of Belgium's jazz legends, making jazz-influenced records for over 30 years.

This was a forerunner of the Miles Davis Quintet as it was his first session with Red Garland and Philly Joe Jones. Up to then his Prestige dates had been of the "all star" variety. (Oscar Pettiford fills that bill here.) By the fall, John Coltrane and Paul Chambers would come aboard to help form the first of a continuum of great Davis working groups. On "A Night in Tunisia" Philly Joe used special sticks with little cymbals riveted to the shaft.

He began studying piano at the age of five and studied under Boston piano teacher Margaret Chaloff, mother of jazz baritone saxophonist Serge Chaloff, who taught him the "Russian style" of piano playing. At an early age he began improvising classical music. As a teenager he appeared in jazz clubs in the Boston area, gigging with the likes of Coleman Hawkins, Vic Dickerson, Chet Baker, and Serge Chaloff.

Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophone player. Getz was known as "The Sound" because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz went on to perform in bebop, cool jazz and third stream, but is perhaps best known for popularizing bossa nova, as in the worldwide hit single "The Girl from Ipanema" (1964).

Verve Select proudly presents Quintets: The Clef & Norgran Studio Albums, a 3-CD, 45-track set that's the first-ever collection of Stan Getz's earliest recordings for Norman Granz, the founder of the Verve family of labels. Incredibly, two-thirds of this collection has never been on CD, and it is now available for the first time in nearly 60 years - in a beautifully packaged, wonderfully detailed box set that is a long-overdue tribute to a jazz superstar's fine early recordings.

Yusef Lateef (born William Emanuel Huddleston; October 9, 1920) is an American Grammy Award-winning jazz multi-instrumentalist, composer, educator and a spokesman for the Ahmadiyya Muslim Community after his conversion to the Ahmadiyya sect of Islam in 1950. Although Lateef's main instruments are the tenor saxophone and flute, he is known for his innovative blending of jazz with 'Eastern' music. In addition to the oboe and bassoon, both rare in jazz, Lateef plays various world music instruments, notably the bamboo flute, shanai, shofar, arghul, sarewa, and koto.