Artist: Egberto Gismonti
Title Of Album: Duas Vozes
Year Of Release: Jun 1984
Label: ECM
Genre: Brazilian Jazz
Quality: FLAC (CUE+LOG+Covers)
Bitrate: Lossless
Total Time: 48:15min
Total Size: 215 Mb
WebSite:
GismontiTracklist:1. Aquarela Do Brasil
2. Rio De Janeiro
3. Tomarapeba
4. Dançando
5. Fogueira
6. Bianca
7. Don Quixote
8. O Dia, a Noite
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 4. December 2008, 23:23
Egberto Gismonti & Nana Vasconcelos / Duas Vozes
Used drive : MATSHITADVD-RAM UJ-875S Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : --best -V -T "date=%y" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.32 | 6:01.63 | 32 | 27169
2 | 6:02.20 | 6:27.70 | 27170 | 56264
3 | 12:30.15 | 3:42.55 | 56265 | 72969
4 | 16:12.70 | 7:55.47 | 72970 | 108641
5 | 24:08.42 | 5:52.23 | 108642 | 135064
6 | 30:00.65 | 6:41.20 | 135065 | 165159
7 | 36:42.10 | 7:41.72 | 165160 | 199806
8 | 44:24.07 | 3:51.25 | 199807 | 217156
Range status and errors
Selected range
Filename D:\MY MUSIC\Egberto Gismonti & Nana Vasconcelos - Duas Vozes.wav
Peak level 87.2 %
Range quality 100.0 %
Copy CRC 0DFC6037
Copy OK
No errors occurred
End of status report
"Aquarela do Brasil," an unofficial anthem of Brazil, may have received literally thousands of different version and interpretations, but even then, Egberto and Brazilian percussionist Naná Vasconcelos (his sole accompanist here) were able to devise an extremely original version, which opens with an unassuming stylized samba introduction, slowly bringing elements which conduce the listener to the piece's identification. Egberto is very fond of percussive attacks and ethereal configurations, both acquiring superior importance in his music, not being necessarily attached to or supportive for a musical theme or melody. Therefore, the next defined melody presented (in the low strings of his 10 string violão) is at track six, "Bianca," which is a complex yet lyrical construction based in which seems a folkloric rhythm motif. Follows "Dom Quixote," another beautiful, lyrical, courageously simple theme delivered at the piano, with Naná's emulating of an African chant and his triangle playing in the forró tradition.
18-05-2010, 16:22
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